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Miniature from the Hours of Catherine of Cleves, Morgan Library & Museum, MS M.945, f. 107r. A Hellmouth, or the jaws of Hell, is the entrance to Hell envisaged as the gaping mouth of a huge monster, an image which first appeared in Anglo-Saxon art, and then spread all over Europe.
Constantine felt that Licinius was an agent of Satan, and associated him with the serpent described in the Book of Revelation . [4] After the victory, Constantine commissioned a depiction of himself and his sons slaying Licinius represented as a serpent - a symbolism borrowed from the Christian teachings on the Archangel to whom he attributed ...
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
In music, the Devil is referenced across both classical and popular music. Connecting the devil to certain music can be used to associate the music with immorality, either by critics or by the musicians themselves. In television and film, the Devil has a long history of being used and often appears as an extremely powerful, purely evil, antagonist.
Saint Michael Vanquishing Satan is a painting by the Italian High Renaissance artist Raphael. It shows the archangel Michael standing on top of Satan 's back with his right foot. The painting was commissioned by Pope Leo X and has been located in the Louvre in Paris since 1667.
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
The iconography derives from Biblical texts, in particular Psalm 91 (90):13: [3] "super aspidem et basiliscum calcabis conculcabis leonem et draconem" in the Latin Vulgate, literally "The asp and the basilisk you will trample under foot/you will tread on the lion and the dragon", translated in the King James Version as: Thou shalt tread upon the lion and adder: the young lion and the dragon ...
The Oriflamme was mentioned in the 11th-century ballad the Chanson de Roland (vv. 3093–5) as a royal banner, first called Romaine and then Montjoie. [3] According to legend, Charlemagne carried it to the Holy Land in response to a prophecy regarding a knight possessing a golden lance from which flames would burn and drive out the Saracens. [4]