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The L5S was a unique high-end solid body, and once Gibson adorned it with super humbuckers, famous guitarists took notice, especially jazz and fusion virtuosos like Pat Martino and John McLaughlin. Additionally other players picked up the L5S such as Paul Simon and others including possibly Keith Richards at one time.
Solid body guitars, mass-produced since the early 1950s, are also used. Jazz guitar playing styles include comping with jazz chord voicings (and in some cases walking bass lines) and blowing (improvising) over jazz chord progressions with jazz-style phrasing and ornaments. Comping refers to playing chords underneath a song's melody or another ...
The Gibson L6-S is a solid body electric guitar. It was the descendant of the L5S jazz solid-body electric guitar.It was the same shape, very much like a wide Gibson Les Paul, but with a 24-fret neck, the first Gibson guitar to have this.
The guitar had a maple laminated top, back and sides, with a set-neck made of mahogany. The florentine cutaway on the 175 was seen as an improvement over the Venetian cutaway that Gibson had been using on guitars. [4] The cutaway and the amplification of a jazz guitar allowed players to use the uppermost frets on the neck during performances. [5]
From the guitar's 1959 introduction through 1979, 10,560 ES-345s were shipped. [2] Gibson designed the guitar to create a guitar which could be used to produce jazz but with a maple block running through the guitar to allow the versatility of a solid body electric guitar.
Fender intended the Jazzmaster to represent a solid body alternative to the hollow body archtop guitars that were then ubiquitous among jazz guitarists. As the Telecaster and Stratocaster had done in other popular musical genres, Fender hoped to initiate a revolution in jazz guitar, at the expense of competitor Gibson.