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Three sequels were produced after Hitchcock died: Psycho II (1983), Psycho III (1986), and Psycho IV: The Beginning (1990), the last being a part-prequel television movie written by the original screenplay author, Joseph Stefano. Anthony Perkins returned to his role of Norman Bates in all three sequels, and also directed the third film.
In 1959, the novel Psycho was published. It was marketed as being loosely based on the Wisconsin serial killer and cannibal Ed Gein, after author Robert Bloch, who lived 40 miles away from Gein's farmhouse, learned of the killings shortly before finishing the novel, having independently liked the idea of somebody being able to kill people in a small community and get away with it for years ...
Filmmaker Tom Holland looks back on "Psycho II" on the sequel's 40th anniversary. 'Psycho II' screenwriter says making the sequel to Alfred Hitchock's horror classic was nearly a 'career-ender ...
Psycho II is a 1983 American psychological slasher film directed by Richard Franklin, written by Tom Holland, and starring Anthony Perkins, Vera Miles, Robert Loggia, and Meg Tilly. It is the first sequel to Alfred Hitchcock's 1960 film Psycho and the second film in the Psycho franchise.
Alfred Hitchcock UK 1932 The Lodger: The Lodger: A Story of the London Fog: Maurice Elvey: UK 1944 The Lodger: The Lodger: A Story of the London Fog: John Brahm: USA 1953 Man in the Attic: The Lodger: A Story of the London Fog: Hugo Fregonese: USA 1956 The Man Who Knew Too Much: The Man Who Knew Too Much: Alfred Hitchcock USA 1958 Step Down to ...
Psycho II is a 1982 horror novel by American writer Robert Bloch. It is a sequel to his 1959 novel Psycho. The novel was completed before the screenplay was written for the unrelated 1983 film Psycho II. According to Bloch, Universal Studios loathed the novel, which was intended to critique Hollywood splatter films.
Psychological thrillers are suspenseful by exploiting uncertainty over characters' motives, honesty, and how they see the world. [7] Films can also cause discomfort in audiences by privileging them with information they wish to share with the characters; guilty characters may suffer similar distress by virtue of their knowledge. [5]
That was the prevailing spirit among the all-star assembly of contemporary comedy stars who turned out for the premiere of Hulu’s long-awaited follow-up to Brooks’ 1981 comedy classic “The ...