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The Fanti Osibisaaba pioneered Africanised cross-fingering guitar techniques which developed to be Ghanaian Highlife, Maringa of Sierra Leone, the Juju music of western Nigeria and "dry" music of Central Africa. [1] Later in 1930, in rural Ghana,there was a fusion with traditional Akan "seprewa" or harp-lute.
They also used the dagomba style, borrowed from Kru sailors from Liberia, to create highlife's two-finger picking style. [4] Guitar band highlife also featured singing, drums and claves. E.K. Nyame and his Akan Trio helped to popularize guitar band highlife, [7] and would release over 400 records during Nyame's lifetime. [4] Dance band highlife ...
In the 1930s, Sam's Trio, led by Jacob Sam (Kwame Asare), was the most influential of the high-life guitar-bands. Their "Yaa Amponsah", three versions of which were recorded in 1928 for Zonophone, was a major hit that remains a popular staple of numerous high-life bands. The next major guitar-band leader was E. K. Nyame, who sang in Twi.
Palm-wine music [1] [2] (known as maringa in Sierra Leone) is a West African musical genre.It evolved among the Kru people of Liberia and Sierra Leone, who used Portuguese guitars brought by sailors, combining local melodies and rhythms with Trinidadian calypso to create a "light, easy, lilting style".
Emmanuel Kofi Nyame, best known as E.K. Nyame (24 December 1927 [1] – 19 January 1977), [2] was regarded as one of the "godfathers" of modern Ghanaian highlife music. [3] [4] He was a Ghanaian composer, guitarist, founder of E.K. band and the Akan Trio. [1] He is noted as the pioneer of highlife songs in Akan language on concert stages. [5]
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