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Nataraja is a significant visual interpretation of Brahman and a dance posture of Shiva. The details in the Nataraja artwork have attracted commentaries and secondary literature such as poems detailing its theological significance. [19] [24] It is one of the widely studied and supreme illustrations of Hindu art from the medieval era. [45] [46]
The 108 karanas of Tandava have inspired Shiva sculptures of the 1st-millennium BCE, particularly the Tandava style which fuses many of these into a composite image found at the Nataraja temple of Chidambaram. [26] [27] Shiva as Nataraja or Krishna dancing the Tandava is a recurring theme in the Chola period bronzes. Various Shiva temples in ...
The theory of music, techniques for singing, and music instruments are discussed over chapters 28 to 34. [ 43 ] [ 41 ] The text in its final chapters describes the various types of dramatic characters, their roles and need for team work, what constitutes an ideal troupe, closing out the text with its comments of the importance of performance ...
The depiction of Shiva as Nataraja (Sanskrit नटराज; Naṭarāja) is a form (mūrti) of Shiva as "Lord of Dance". [278] [279] The names Nartaka ("dancer") and Nityanarta ("eternal dancer") appear in the Shiva Sahasranama. [280] His association with dance and also with music is prominent in the Puranic period. [281]
"Love" is a basic level that concept includes super-ordinate categories of emotions: affection, adoration, fondness, liking, attraction, caring, tenderness, compassion, arousal, desire, passion, and longing. Love contains large sub-clusters that designate generic forms of love: friendship, sibling relationship, marital relationship etc.
The "men's first love theory," the idea that men don't get over their first love, has left some social media users furiously nodding. "Men's first love theory is quite real trust me," wrote one X ...
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
Nataraja Ramakrishna (21 March 1923 – 7 June 2011) was an Indian dance guru. He was the chairman of Andhra Pradesh Sangeeta Nataka Academy. [ 1 ] He was also a scholar and musicologist who promoted classical dance in Andhra Pradesh and worldwide.