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Acoustic pianos, such as upright and grand pianos, are velocity-sensitive—the faster the key strike, the harder the hammer hits the strings. Baroque-style clavichords and professional synthesizers are aftertouch-sensitive—applied force on the key after the initial strike produces effects such as vibrato or swells in volume.
Ensoniq ESQ-1 is a 61-key, velocity sensitive, eight-note polyphonic and multitimbral synthesizer released by Ensoniq in 1985. It was marketed as a "digital wave synthesizer" but was an early Music Workstation .
The back panel includes 1/4" output jacks for Left/Mono, Right, a stereo headphone jack, and a separate output for the bass. There's also a jack for the pedals, a small tuning knob (labeled "A440"), and the usual MIDI In/Out/Thru. [2]: 4 The SDP-1 came with a two-pedal pedalboard that could be placed on the floor beneath the keyboard.
Has portamento, pitch bender, three reverb effects, velocity sensitive keyboard. CT 888 2002 73 full MIDI CT 6000 1985 61 full 20 8 in/out 8 tone effects, pitch bender wheel with full octave range, velocity sensitive keyboard. [56] CT 6500 1986 61 full 48 8 MIDI 3 tone effects, modulation wheel and other features. [57] CTK 50 1995 49 full 100 8 ...
The CZ-1 synthesizer is most advanced in the CZ series. It doubled the memory, was multitimbral, also stored splits and layers as "Operation Memories", and added velocity and aftertouch sensitivity to the keyboard, along with programming parameters to control how velocity and aftertouch pressure would affect the sound.
The design on the JX-10 is essentially two Roland JX-8P synthesizers put together, with a 76-note velocity-sensitive keyboard with aftertouch. It also includes features not found on the JX-8P, including a simple 1-track sketchbook sequencer and a delay effect (which works like a "MIDI delay" by delaying one tone rather than acting as a true DSP ...
The M1 features a 61-note velocity- and aftertouch-sensitive keyboard, 16-note polyphony, a joystick for pitch-bend and modulation control, an eight-track MIDI sequencer, separate LFOs for vibrato and filter modulation, and ADSR envelopes. Data can be stored on RAM and PCM cards.
Supernova class 8-voice ASM-based synth engine, template-based ReMOTE style MIDI control and a 2-in, 2-out stereo audio interface and multi effects engine plus semi-weighted aftertouch keyboard. ReMOTE Zero SL (2006) was an addition to Novation's MIDI and USB controller range – most of which feature keyboards – with no (zero) keys. [30]