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Many scholars have analyzed dramatic structure, beginning with Aristotle in his Poetics (c. 335 BCE). In his Poetics, a theory about tragedies, the Greek philosopher Aristotle put forth the idea the play should imitate a single whole action and does not skip around (such as flashbacks). "A whole is what has a beginning and middle and end.
In Rhetoric Aristotle considers the dramatic elements of action and time, while focusing on audience reception. Poor translations at the time resulted in some misreadings by Trissino. [1] [2] Trissino's play Sofonisba followed classical Greek style by adhering to the unities, by omitting the usual act division, and even introducing a chorus ...
This elementary assignment was to simply write a narrative (not to be confused with fable). It is assumed that this training is a result of Aristotle's theory of categories and introduces students to the four values of narrative, which is perspicuity, incisiveness, persuasiveness, and purity of language.
Aristotle asserted that a play must be complete and whole, in other words, it must have unity, i.e. a beginning, a middle and an end. The philosopher also asserted that the action of epic poetry and tragedy differ in length, "because in tragedy every effort is made for it to take place in one revolution of the sun, while the epic is unlimited ...
Learning how to play the lyre, and sing and dance in a chorus were central components of musical education in Classical Greece. [9] Mousike provided students with examples of beauty and nobility, as well as an appreciation of harmony and rhythm. [10] Students would write using a stylus, with which they would etch onto a wax tablet. When ...
Aristotle calls spectacle the "least artistic" element of tragedy, and the "least connected with the work of the poet (playwright). [clarification needed] For example: if the play has "beautiful" costumes and "bad" acting and "bad" story, there is "something wrong" with it. Even though that "beauty" may save the play it is "not a nice thing".
The examples Aristotle gives indicate that he meant a condition of rest resulting from an affection (i.e. being acted on): ‘shod’, ‘armed’. The term is, however, frequently taken to mean the determination arising from the physical accoutrements of an object: one's shoes, one's arms, etc. Traditionally, this category is also called a ...
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, his writings are divisible into two groups: the " exoteric " and the " esoteric ". [ 1 ]