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Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act.
The piece contains an adaptation of the Aragonaise, Habanera, an interlude, Seguidilla, and the Gypsy Dance. Sarasate chose specifically the music with a Spanish character. [1] A performance takes approximately 12 minutes. [4] The Carmen Fantasy is one of Sarasate's best-known works [1] and is often performed
Carmen's habanera is based on an idiomatic song, "El arreglito", by the Spanish composer Sebastián Yradier (1809–65). [ n 6 ] Bizet had taken this to be a genuine folk melody; when he learned its recent origin he added a note to the vocal score, crediting Yradier. [ 84 ]
Book IV, Op. 26, was completed in October 1881 in Paris, and is the only book where the dances do not have titles. Instead, they are usually named after the dances they were inspired by (Vito and Habanera). Book IV was dedicated to Leopold Auer, whom Sarasate had met in Saint Petersburg at the end of 1881. [1]
The two suites of music from Carmen were arranged by Ernest Guiraud, No. 1 in 1882 : Prélude—Aragonaise (Act IV Entr’acte)—Intermezzo (Act III Entr’acte)—Séguedille—Les dragons d’Alcalá (Act II Entr’acte)—Les toréadors, and No. 2 in 1887: Marche des contrebandiers—Habanera—Nocturne (Act III Air de Micaëla)—Chanson ...
Malagueña y Habanera (Spanish Dances Nos. 1, 2 - Book I) 1878 Violin and piano 22 Romanza andaluza y Jota navarra (Spanish Dances Nos. 3, 4 - Book II) 1878 Violin and piano 23 Playera y Zapateado (Spanish Dances Nos. 5, 6 - Book III) 1880 Violin and piano 24 Caprice Basque (Basque Caprice) 1880 Violin and piano 25 Fantasy on Carmen (Bizet) 1882
Another of Iradier's compositions is "El Arreglito", a habanera used by Georges Bizet in his opera Carmen. Bizet, thinking it was a folk song, was inspired by the melody, and recomposed it as the aria "L'amour est un oiseau rebelle", also known as the "Habanera". When he discovered his mistake, Bizet added a note to the vocal score of the opera ...
The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration. However the order of the musical allusions are in reversed chronological order, and do not adhere to the operatic versions ...