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Return to Never Land premiered at the El Capitan Theatre in Los Angeles, California on February 10, 2002, and was released in the United States in February 15, by Buena Vista Pictures Distribution. [7] Despite receiving mixed reviews from critics, it was a box-office success like its predecessor, grossing $115 million against a $20 million budget.
The shadow drops Neal back into Neverland, where Felix welcomes him "home." After Robin puts his son down to sleep, he thanks Mulan for her help. He invites her to be in the Merry Men, but she says there's someone she must talk to, inspired by Neal, who said that he should have told Emma he loved her long before.
Girl in the Moon: a girl who is responsible for bringing the night by replacing the sun that appears during the day with the moon at the normal time; King Kyros: the Ice King of Neverland who owns a giant ice cave and has elves as his subworkers. Peter entered into conflict with the king when he entered the king's home without permission and ...
Return to Never Land (2002 animated film) – Kath Soucie. A sequel to 1953's Peter Pan, where a grown-up Wendy has married a man named Edward and has raised her children on tales of Peter Pan. Her role is minimal in this portrayal, but at the end of the film she is briefly, but happily, reunited with Peter after many years when he brings her ...
Jane Doe’s mother testified Wednesday in a high-profile lawsuit against Charlotte-Mecklenburg Schools and the city of Charlotte over a 2015 incident. ‘Mom, I’m being kidnapped,’ Myers Park ...
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The concept was first introduced as "the Never Never Land" in Barrie's West End theatre play Peter Pan, or The Boy Who Wouldn't Grow Up, first staged in 1904. In the earliest drafts of the play, the island was called " Peter's Never Never Never Land ", a name possibly influenced by the ' Never Never ', a contemporary term for outback Australia.
"The Return" is the 19th episode of the American fairy tale/drama television series Once Upon a Time, which aired in the United States on ABC on April 22, 2012. It was written by Jane Espenson , while Paul Edwards served as the director.