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The album's sleeve design was adapted from that of a hi-fi test record issued by Hi-Fi Sound magazine in 1969; [18] the record itself is sampled on the song "Jenny Ondioline". [19] The majority of the first 1,500 LP copies of Transient Random-Noise Bursts were destroyed due to bad pressing quality.
Sound-Dust is the seventh studio album by English-French rock band Stereolab.It was released on 28 August 2001 in North America by Elektra Records and on 3 September 2001 internationally by Duophonic Records. [17]
Stereolab's album and song titles occasionally reference avant-garde groups and artists. Gane said that the title of their 1999 album Cobra and Phases Group… contains the names of two Surrealist organisations, " CoBrA " and "Phases Group", [ 73 ] The title of the song "Brakhage" from Dots and Loops (1997), is a nod to experimental filmmaker ...
According to AllMusic critic Stephen Thomas Erlewine, Dots and Loops is primarily influenced by bossa nova and 1960s pop music. [5] Barney Hoskyns of Rolling Stone found that the album continued Stereolab's progression towards a lighter sound that he termed "avant-easy listening", [6] while Michelle Goldberg of Metro referred to it as the band's "lounge apotheosis". [7]
Fun Trick Noisemaker was produced by Robert Schneider and engineered by the Apples in Stereo, with technical assistance from Kurt Heasley. The album was recorded on an 8-track analog from October 1994 to February 1995 at Brendt Larson's house ( Glendora, CA ) and Kyle Jones' house ( Denver, CO ).
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Emperor Tomato Ketchup was released on 18 March 1996 in the United Kingdom by Duophonic Records, [6] and on 9 April 1996 in the United States by Elektra Records. [7] The artwork for the album was inspired by the LP cover sleeve of a 1964 recording of composer Béla Bartók's Concerto for Orchestra by the Bamberg Symphony conducted by Heinrich Hollreiser.