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The term is defined by Paul Campbell (The Speaking and Speakers of Literature; Dickinson, 1967) as the "oralization of literature", and by Charlotte Lee and Timothy Gura (Oral Interpretation; Houghton-Mifflin, 1997) as "the art of communicating to an audience a work of literary art in its intellectual, emotional, and esthetic entirety ...
Oral-formulaic theory in Anglo-Saxon poetry refers to the application of the hypotheses of Milman Parry and Albert Lord on the Homeric Question to verse written in Old English. The theory proposes that features of at least some of the poetry may be explained by positing oral-formulaic composition , meaning that poets have a store of verbal ...
The poem is written in 97 stanzas, each of eight lines that are octosyllabic, in iambic tetrameters forming couplets. It has been analysed into six sections: Stanzas 1–10: architecture of the house. Stanzas 11–35: the story of Isabel Thwaites. Stanzas 36–46: the gardens and plants. Stanzas 47–60: the meadows. Stanzas 61–81: the wood.
Kyle Dacuyan reading at a poetry festival in Berlin. A poetry reading is a public oral recitation or performance of poetry. Reading poetry aloud allows the reader to express their own experience through poetry, changing the poem according to their sensibilities. The reader uses pitch and stress, and pauses become apparent.
The locus classicus for oral-formulaic poetry, however, was established by the work of Parry and his student Lord, not on oral recitation of Homer (which no longer was practiced), but on the (similar) Albanian, Bosnian and Serbian oral epic poetry in the Balkans, where oral-formulaic composition could be observed and recorded ethnographically.
Instead, the poem draws on an older story, repeated in Milton's History of Britain, that Joseph of Arimathea, alone, travelled to preach to the ancient Britons after the death of Jesus. [4] The poem's theme is linked to the Book of Revelation (3:12 and 21:2) describing a Second Coming, wherein Jesus establishes a New Jerusalem.
"The Highwayman" is reputed to be "the best ballad poem in existence for oral delivery". [3] It makes use of vivid imagery to describe surroundings ("the road was a gipsy's ribbon, looping the purple moor - ") and repetitious phrases to emphasise action ("A red-coat troop came marching - marching - marching -").
Spoken word is an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a 20th-century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play , such as the performer's live intonation and voice inflection.