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The romantic guitar, in use from approximately 1790 to 1830, was the guitar of the Classical and Romantic period of music, showing remarkable consistency in the instrument's construction during these decades. By this time guitars used six, sometimes more, single strings instead of courses.
The following is a non-comprehensive list of composers who have composed original music for the classical guitar, or music which has been arranged for it. This list is sortable by name, nationality and years of birth or death.
Music prior to the classical era was often composed for performance on various combinations of instruments, and could be adapted by the performer to keyboard instruments, the lute, or the guitar. Since the beginning of the 20th century, however, a significant amount of music has been written for the guitar by non-guitarist composers.
Andrés Segovia was famous for his playing arrangements of Bach works transcribed for classical guitar, such as his very difficult Chaconne from the Violin Partita in D minor. Arnold Schoenberg arranged for orchestra Bach's organ Prelude and Fugue in E-flat major St Anne, BWV 552.
Ferdinando Carulli. Ferdinando Maria Meinrado Francesco Pascale Rosario Carulli (9 February 1770 – 17 February 1841) was an Italian composer for classical guitar and the author of the influential Méthode complète pour guitare ou lyre, op. 27 (1810), which contains music still used by student guitarists today.
"Litmus Distance" is a series of two small pieces for classical guitar, composed by Takashi Yoshimatsu. One of the composer's debut works, he describes it as a new kind of imagined folk music, portraying of the distance of the bedouins. [1] The sheet music for these pieces was issued together in Yoshimatsu : Guitar Works Vol. 2 : Wind color Vector.
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Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. [1] It requires the tremolo technique and is often performed by advanced players.