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Electret microphones require no polarizing voltage unlike other condenser microphones, but normally contain an integrated preamplifier which requires a small amount of power (often incorrectly called polarizing power or bias). This preamp is frequently phantom powered in sound reinforcement and studio applications. Other types include a 1.5 V ...
Condenser microphones span the range from telephone mouthpieces through inexpensive karaoke microphones to high-fidelity recording microphones. They generally produce a high-quality audio signal and are now the popular choice in laboratory and recording studio applications. The inherent suitability of this technology is due to the very small ...
Microphones can be thought of as speakers in reverse. The sound waves strike the thin diaphragm, causing it to vibrate. [1] Microphone diaphragms, unlike speaker diaphragms, tend to be thin and flexible, since they need to absorb as much sound as possible. In a condenser microphone, the diaphragm is placed in front of a plate and is charged. [2]
C451 - a small diaphragm condenser microphone, originally made between the 1960s and 1980s, recently reissued; C535 - a high-quality condenser vocal microphone. AKG made a gold-plated one for Frank Sinatra. [25] D409; D5; C1000S microphone. C1000S - a small diaphragm condenser (four versions released from 1986 to 2012)
Akai; AKG; Astatic; AEA_Ribbon_Mics; Audio-Technica; Behringer; Beyerdynamic; Blue Microphones; Brauner; Brüel & Kjær; CAD Audio; Core Sound LLC; DJI; DPA ...
[5] [6] The PL Series was introduced by EV in 1990 to attract the recording studio market, including a dark blue-gray version of the RE20 with the designation PL20; this model is discontinued. [7] In 2011, the black RE320 model was rolled out to address the popular usage on bass drum (kick drum), complete with a switch to tailor the frequency ...