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"Whip It" is a new wave and synth-pop song, [10] that is built around a consistent 4/4 beat known as a motorik beat. [4] [5] It is constructed in verse–chorus form.With a chord progression of D-A-E7sus4 in the verses and C-G-D in the choruses, the song is written in the key of E major. [11] "
Mötley Crüe covered "White Punks on Dope" on their album New Tattoo, and performs it live in concert on their Lewd, Crüed, & Tattooed DVD. [citation needed]Nina Hagen Band interpreted the song in a German-language version, translated to "TV-Glotzer" (with re-written lyrics about being an East German who lives vicariously by staring at West German television all day) on their self-titled ...
The album's style has been described as pop punk [4] [5] [6] and skate punk. [7] NOFX's album Punk in Drublic was a considerable influence on the album. [8] Sum 41's vocalist/rhythm guitarist Deryck Whibley cites Rancid, Elvis Costello, the Beatles, and Pennywise as influences on All Killer No Filler. [9]
White Houses is a song performed by Eric Burdon & the Animals in 1968. It was the opening track from their psychedelic rock album Every One Of Us. "White Houses" peaked #67 on the US pop singles chart [1] and #46 on the Canadian RPM charts. [2] The B-side was "River Deep, Mountain High", [3] [failed verification] later included on their album ...
It is thus the first political White Stripes track since "The Big Three Killed My Baby," off The White Stripes. The lyrics talk about someone (perhaps Jack White himself) taking a trip to Mexico in a wagon, easily crossing the border to Mexico, as opposed to the difficulties illegal Mexican immigrants face while crossing northwards.
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"White America" is segued into by the opening skit "Curtains Up" on The Eminem Show, which involves Eminem walking up to a microphone to make a speech.It addresses the controversy stemming from Eminem's lyrical content, and impacting White youth, expressed with lines such as: "I speak to suburban kids, who otherwise would've never known these words exist."
Singer Stephen Pearcy said, "It's a Warren-instigated riff. I believe when he brought that riff in, it was all over with. It was just – bam! – strong from the start. The lyrics on that, it could be about anyone calling somebody out, saying, 'Hey, you know you want to lay it down, you know you want to get it on.'" [6]