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The enormous success of 17th-century Dutch painting overpowered the work of subsequent generations, and no Dutch painter of the 18th century—nor, arguably, a 19th-century one before Van Gogh—is well known outside the Netherlands. Already by the end of the period artists were complaining that buyers were more interested in dead than living ...
Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /; [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman.
In France a dignified and graceful classicism gave a distinctive flavour to Baroque painting, where the later 17th century is also regarded as a golden age for painting. Two of the most important artists, Nicolas Poussin and Claude Lorrain , remained based in Rome, where their work, almost all in easel paintings , was much appreciated by ...
17th-century painting stubs (671 P) Pages in category "17th-century paintings" The following 79 pages are in this category, out of 79 total.
Susanna and the Elders, 1610, earliest of her surviving works, Schönborn Collection, Pommersfelden. Artemisia Lomi Gentileschi was born in Rome on 8 July 1593, although her birth certificate from the Archivio di Stato indicates she was born in 1590.
Rubens mainly painted portraits of the Duke's family and also copied the famous Renaissance paintings in the Duke's collection. [11] With financial support from the Duke, Rubens travelled to Rome by way of Florence in 1601. There, he studied classical Greek and Roman art and copied works of the Italian masters.
A masterpiece of seventeenth-century Lombard painting, on the other hand, is the painting Martyrdom of Saints Rufina and Secunda, better known as the Painting of the Three Hands, as it was produced in a collaboration between Cerano, Giulio Cesare Procaccini and Morazzone, [4] i.e., the major painters of the time. The painting depicts the ...
A few months later he was performing hack-work for the highly successful Giuseppe Cesari, Pope Clement VIII's favourite artist, "painting flowers and fruit" [15] in his factory-like workshop. In Rome, there was a demand for paintings to fill the many huge new churches and palaces being built at the time.