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Aphrodite's major symbols include seashells, myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus, Corinth, and Athens.
The Aphrodite of Rhodes (Greek: Αφροδίτη της Ρόδου) also known as the Crouching Venus of Rhodes is a marble sculpture of the Greek goddess Aphrodite housed in the Archaeological Museum of Rhodes in Rhodes, Greece.
The presence of Erotes in otherwise non-sexual images, such as of two women, has been interpreted to indicate a homoerotic subtext. [11] In the cult of Aphrodite in Anatolia, iconographic images of the goddess with three Erotes symbolized the three realms over which she had dominion: the Earth, sky, and water. [12]
The right arm of the goddess and the upper part of the head, as well as the legs and the left arm of Eros, had to be reattached as they were broken off. Eros's right arm is missing. Pan's right leg and horns also had to be reattached. Three fingers of Aphrodite's left hand and the middle finger of her right hand were supplemented with plaster.
Aphrodite's garment appears almost transparent, as if it is wet, and outlines her body. It then slips casually off the goddess's left shoulder, exposing her left breast. Her hair is richly tressed in an "Apollo's knot", while long curls fall elegantly over her shoulders, thus accentuating her serene and beautiful face. [2]
A Roman copy of a statue of Aphrodite Areia found in Epidaurus, with the original created by the Polykleitos school.. Aphrodite Areia (Ancient Greek: Ἀφροδίτη Ἀρεία) or "Aphrodite the Warlike" was a cult epithet of the Greek goddess Aphrodite, in which she was depicted in full armor like the war god Ares. [1]
The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity .
Venus Urania (Christian Griepenkerl, 1878) Statue of the so-called 'Aphrodite on a tortoise', 430–420 BCE, Athens [a]Aphrodite Urania (Ancient Greek: Ἀφροδίτη Οὐρανία, romanized: Aphrodítē Ouranía, Latinized as Venus Urania) was an epithet of the Greek goddess Aphrodite, signifying a "heavenly" or "spiritual" aspect descended from the sky-god Ouranos to distinguish her ...