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In 1925, he contributed to Carl Fischer's Drum Fife and Bugle Corps Leaflets along with Francis Findlay and W.A. Maynard. [11] 3 of the 8 lessons in the leaflets were on the snare drum and each leaflet cost 10 cents. Gardner wrote several volumes of Progressive Studies for the Snare Drum, the first of which was published in 1928.
Adler and Rich wrote Buddy Rich's Modern Interpretation of Snare Drum Rudiments (1942), which became a standard text for drummers. [2] After the book was published, Adler opened a drum store in New York City. [3] His students included Louie Bellson, Roy Burns, Sandy Feldstein, Sonny Igoe, Alvin Stoller, and Dave Tough. [3]
The method involves not crossing the hands when playing the hi-hat (or ride-cymbal) and snare drum simultaneously as opposed to the more traditional way of playing drums which features crossed hands as the basic playing position. [1] Absolute beginners often choose this open-handed way of playing as their first and natural attempt at drumming.
George Lawrence Stone was born in 1886. He was the son of drum teacher and manufacturer George Burt Stone.George Lawrence learned drums and xylophone from his father and also helped out in his shop, where the elder Stone tucked drumheads, turned drumsticks, made wooden foot pedals and sold violins.
The book was notable for its wide range of drum rudiments, some of which were unique to Hart, and its attention to the details necessary for complete beginners and students of otherwise low initial skill level. [2]
Much of the development of the snare drum and its rudiments is closely tied to the use of the snare drum in the military. In his book, The Art of Snare Drumming, Sanford A. Moeller (of the "Moeller Method" of drumming) states, "To acquire a knowledge of the true nature of the [snare] drum, it is absolutely necessary to study military drumming ...