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Chelsea Candelario/PureWow. 2. “I know my worth. I embrace my power. I say if I’m beautiful. I say if I’m strong. You will not determine my story.
J. Howard Miller's "We Can Do It!" poster from 1943 "We Can Do It!" is an American World War II wartime poster produced by J. Howard Miller in 1943 for Westinghouse Electric as an inspirational image to boost female worker morale.
Women's empowerment is key to economic and social outcomes. Benefits from projects that empower women are higher than those that just mainstream gender. [10] More than half of bilateral finance for agriculture and rural development already mainstreams gender, but only 6 percent treats gender as fundamental.
A statement by 16 women's rights organizations including the American Association of University Women, the National Women's Law Center, the National Women's Political Caucus, Girls, Inc., Legal Momentum, End Rape on Campus, Equal Rights Advocates and the Women's Sports Foundation said that, "as organizations that fight every day for equal ...
Credit - Christopher Dilts—Bloomberg via Getty Images. O n Wednesday, ... Today the phrase “women’s empowerment” has eclipsed “community empowerment” and “employee empowerment.” It ...
I pinched one of the images and gave it to Jamie who then stuck it behind his grotty girl illustration and then added a logo which read 'Tank Girl'. [ 1 ] The image was published in the fanzine as a one-page ad, but the Tank Girl series first appeared in the debut issue of Deadline (1988), [ 2 ] a UK magazine intended as a forum for new comic ...
Madame & Eve. Women Portraying Women. ISBN 978-1-78627-156-3; Jenni Sorkin and Linda Theung, "Selected Chronology of All-Women Group Exhibitions, 1943-1983," in Wack!: Art and the Feminist Revolution. Los Angeles: The Museum of Contemporary Art, 2007. Print. Catherine de Zegher (2015). Women's Work is Never Done. Ghent: Mer. Papers Kunsthalle.
As Forte writes in her analysis of feminist performance art in the 1960s and 1970s, “Within this movement, women's performance emerges as a specific strategy that allies postmodernism and feminism … women used performance as a deconstructive strategy to demonstrate the objectification of women and its results”. [3]