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Shanghai-style papercutting is a variety of papercutting practiced in south China, and in particular in Shanghai.. The making of papercuts is a popular folk art in China. In the hands of an artisan, and with the help of a knife or a pair of scissors, a piece of paper can be turned into any of a wide variety of patterns – landscapes, flowers, birds, animals and human figures.
Chinese paper-cutting originated from the practice of worship of both ancestors and gods, a traditional part of Chinese culture dating back roughly two millennia. According to archaeological records, paper-cutting originates from the 6th century, although some believe that its history could be traced back as far as the Warring States period (around 3 BC), long before paper was invented.
Chinese paper cutting, in a style that is practically identical to the original 6th-century form. Jianzhi (Chinese: 剪紙, pinyin: jiǎnzhǐ) is a traditional style of papercutting in China, and it originated from cutting patterns for rich Chinese embroideries and later developed into a folk art in itself.
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Lü is a Chinese artist at the China Central Academy of Fine Art in Beijing, who specializes in the ancient Chinese paper cutting. His most well-known craftsmanship is called “Little Red Figures”, in reality, it is an old and famous procedure in China, named paper-cutting, which is utilized widely in the society specialty of china.
Chinese paper cutting (剪纸, jianzhi) is a type of folk art that has roots in China during the 6th century and is attributed to Cai Lun during the Han Dynasty. Known to be very intricate with the use of negative space, paper cutting is used for mostly decorative reasons, appearing on mirrors, lanterns, walls, etc.
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Chinese paper folding, or zhezhi , is the art of paper folding that originated in medieval China. The work of 20th-century Japanese paper artist Akira Yoshizawa widely popularized the Japanese word origami ; however, in China and other Chinese-speaking areas, the art is referred to by the Chinese name, zhezhi .