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Bembo is a roman typeface (shown with italic) dating to 1928 based on punches cut by Francesco Griffo in 1494. [1] [2] [3] [4]In Latin script typography, roman is one of the three main kinds of historical type, alongside blackletter and italic.
Sabon is an old-style serif typeface designed by the German-born typographer and designer Jan Tschichold (1902–1974) in the period 1964–1967. [1] It was released jointly by the Linotype, Monotype, and Stempel type foundries in 1967. [2]
Roman emphasis example Different methods of emphasis. The most common methods in Western typography fall under the general technique of emphasis through a change or modification of font: italics, boldface and SMALL CAPS. Other methods include the alteration of LETTER CASE and spacing as well as color and *additional graphic marks*.
Goethe Italic (1932, Continental), cut for the Limited Editions Club edition of Frankenstein. Quinian Old Style (1932, nc), named for the editor of American Mercury who commissioned the type, however the drawings were rejected and subsequently perished in Goudy's studio fire of 1939. Mostert (1932, nc), inspired by the calligraphy of Annelise ...
Use {{Italic title}} to italicize the part of the title before the first parenthesis. Use {{Italic disambiguation}} to italicize the part of the title in the parenthesis. Use the {{DISPLAYTITLE:}} magic word or {{Italic title|string=}} template for titles with a mix of italic and roman text, as at List of Sex and the City episodes and The Hustler.
Historically, italics were a distinct style of type used entirely separately from roman type, but they have come to be used in conjunction—most fonts now come with a roman type and an oblique version (generally called "italic" though often not true italics). In this usage, italics are a way to emphasise key points in a printed text, to ...
Bembo is a serif typeface created by the British branch of the Monotype Corporation in 1928–1929 and most commonly used for body text.It is a member of the "old-style" of serif fonts, with its regular or roman style based on a design cut around 1495 by Francesco Griffo for Venetian printer Aldus Manutius, sometimes generically called the "Aldine roman".
Garamond cut more roman types than italics, which at the time were conceived separately to roman types rather than designed alongside them as complementary matches. [74] Italics had again been introduced by Manutius in 1500; the first was cut by Griffo. This first italic used upright capitals, copying a popular style of calligraphy. [75]