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"Wrong Again" is a song recorded by American country music artist Martina McBride. It was written by Cynthia Weil and Tommy Lee James along with production by McBride and Paul Worley. It was released on September 14, 1998, as the second single from McBride's fourth studio album Evolution (1997). Neil Thrasher and Sara Evans appear as backing ...
Martina Mariea McBride (née Schiff, born July 29, 1966) is an American country music singer and songwriter. She is known for her soprano singing range and her country pop material. McBride was born in Sharon, Kansas , and relocated to Nashville, Tennessee , in 1989.
McBride's fourth studio album Evolution was released in August 1997 and is her best-selling album to date, certifying three times platinum in the United States. [1] [2] The album spawned six singles which all became major hits including, "A Broken Wing", "Wrong Again", and "Whatever You Say".
In an exclusive Facebook Live interview with AOL, Martina McBride talks her new album 'Reckless' and looks back at her incredible career in country.
"Wrong Baby Wrong Baby Wrong" (re-titled as "Wrong Baby Wrong" for its single release) is a song by American country music recording artist Martina McBride, recorded for her tenth studio album Shine (2009) and is the opening track to the album.
"The Time Has Come" is a song written by Susan Longacre and Lonnie Wilson, and recorded by American country music artist Martina McBride. It was released in May 1992 as her debut single and taken from her debut studio album of the same name. The song reached number 23 on the Billboard Hot Country Singles & Tracks chart. [2]
Wild Angels is the third studio album by the American country music artist Martina McBride. The album produced the singles "Safe in the Arms of Love", the title track, "Swingin' Doors", "Phones Are Ringin' All Over Town" and "Cry on the Shoulder of the Road". The title track was McBride's first number one hit on the US Billboard Hot Country ...
[4] [5] The name "Go West" was chosen due to how, at the time, the duo felt that the British public were more attracted to music that came from America rather than their own country (in a similar vein to The British Invasion). [6] Go West had a publishing deal and possessed a portastudio, but lacked a band or recording company. Cox and Drummie ...