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Phonograph cylinders (also referred to as Edison cylinders after its creator Thomas Edison) are the earliest commercial medium for recording and reproducing sound.Commonly known simply as "records" in their heyday (c. 1896–1916), a name which has been passed on to their disc-shaped successor, these hollow cylindrical objects have an audio recording engraved on the outside surface which can ...
Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 (a relatively well-preserved and freely available example from that year is the Fifth Regiment March, played by Issler's Orchestra [2]). At first, the only customers were entrepreneurs who ...
American Graphophone's 1888 wax cylinder graphophone. The machines were marketed for only a few years by American Graphophone and the North American Phonograph Company, but were superseded by Edison's 1888 'perfected phonograph' and its solid wax cylinders.
Wax phonograph cylinder recordings of Handel's choral music made on June 29, 1888, at The Crystal Palace in London were thought to be the oldest-known surviving musical recordings, [39] until the recent playback by a group of American historians of a phonautograph recording of Au clair de la lune recorded on April 9, 1860.
An Edison Home Phonograph for recording and playing brown wax cylinders, c. 1899. The phonograph, invented by Thomas Edison in 1877, [12] could both record sound and play it back. The earliest type of phonograph sold recorded on a thin sheet of tinfoil wrapped around a grooved metal cylinder. A stylus connected to a sound-vibrated diaphragm ...
Dictaphone cylinder dictation machine from early 1920s. Notably, Bell and Tainter developed wax-coated cardboard cylinders for their record cylinders, instead of Edison's cast iron cylinder, covered with a removable film of tinfoil (the actual recording medium, which was prone to damage during installation or removal. [3]
This perpetuated the use for voice recording of wax cylinders, which had otherwise been eclipsed by disc-based technology. Dictaphone was spun off into a separate company in 1923 under the leadership of C. King Woodbridge. [2] In 1947, having relied on wax-cylinder recording to the end of World War II, Dictaphone introduced its Dictabelt ...
Tainter received a separate patent for a tube assembly machine to automatically produce the coiled cardboard tubes which served as the foundation for the wax cylinder records. Besides being far easier to handle, the wax recording media also allowed for lengthier recordings and created superior playback quality. [43]