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In 1902, Edison Records launched a line of improved, hard wax cylinders marketed as "Edison Gold Moulded Records". The major development of this line of cylinders is that Edison had developed a process that allowed a mold to be made from a master cylinder, which then permitted the production of several hundred cylinders to be made from the mold ...
In 1902, Edison's National Phonograph Company introduced Edison Gold Moulded Records, cylinder records of improved hard black wax, capable of being played hundreds of times before wearing out. These new records were under the working title of "Edison Hi-Speed Extra Loud Moulded Records", running at the speed of 160 RPM instead of the usual (ca ...
Beginning in 1897, Edison and Columbia sustained a thriving competition in spring-powered home phonographs and wax cylinder records. Edison continued with cylinder records, debuting the mass-producible Gold-Moulded cylinder in 1902, while Columbia transitioned to the disc format from 1901 to 1908 and entered into more direct competition with ...
Blue Amberol Records was the trademark name for cylinder records manufactured by Thomas A. Edison, Inc. in the US from 1912 to 1929. They replaced the 4-minute black wax Amberol cylinders introduced in 1908, which had replaced the 2-minute wax cylinders that had been the standard format since the late 1880s.
"The Pattison Waltz" (1879 setting for solo piano) [1] The Pattison Waltz was a dance piece by the pianist and composer J.N. Pattison, published in 1877.It was popular in the 1880s and was selected by Thomas Edison as one of the first musical pieces to be recorded on his new wax phonograph cylinders, on February 25, 1889.
The basic distinction between the Edison's first phonograph patent and the Bell and Tainter patent of 1886 was the method of recording. Edison's method was to indent the sound waves on a piece of tin foil, while Bell and Tainter's invention called for cutting, or "engraving", the sound waves into a wax record with a sharp recording stylus. [46]