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So noise reduction could be a bad idea in these judgments, he argued. [27] Anticipating this critique, Kahneman, Sibony and Sunstein write in the book that noise reduction should ideally be followed by decision makers using the now-better judgment data together with their values and potential risk-avoidance criteria to make the optimal choice.
The Signal and the Noise: Why So Many Predictions Fail – but Some Don't is a 2012 book by Nate Silver detailing the art of using probability and statistics as applied to real-world circumstances. The book includes case studies from baseball, elections, climate change, the 2008 financial crash , poker, and weather forecasting.
Cover of Luigi Russolo's L'arte dei rumori, published in book form in 1916. The Art of Noises (Italian: L'arte dei Rumori) is a Futurist manifesto written by Luigi Russolo in a 1913 letter to friend and Futurist composer Francesco Balilla Pratella.
NOiSE is a Japanese manga series written and illustrated by Tsutomu Nihei. It is a prequel to his ten-volume work, Blame!. Noise offers some information concerning the Megastructure's origins and initial size, as well as the origins of Silicon life. The book also includes Blame, a one-shot prototype for Blame!, which originally debuted in ...
White Noise is the eighth novel by Don DeLillo, published by Viking Press in 1985. It won the U.S. National Book Award for Fiction. [1] White Noise is a cornerstone example of postmodern literature. It is widely considered DeLillo's breakout work and brought him to the attention of a much larger audience.
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The Rest Is Noise: Listening to the Twentieth Century is a 2007 nonfiction book by the American music critic Alex Ross, first published by Farrar, Straus and Giroux. [1] It recounts the history of European and American music, starting in 1900, and highlights many examples. [ 2 ]
Noise: The Political Economy of Music is a book by French economist and scholar Jacques Attali which is about the role of music in the political economy.. Attali's essential argument in Noise: The Political Economy of Music (French title: Bruits: essai sur l'economie politique de la musique) is that music, as a cultural form, is intimately tied up in the mode of production in any given society.