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Basic Color Terms: Their Universality and Evolution (1969; ISBN 1-57586-162-3) is a book by Brent Berlin and Paul Kay. Berlin and Kay's work proposed that the basic color terms in a culture, such as black, brown, or red, are predictable by the number of color terms the culture has. All cultures have terms for black/dark and white/bright.
Identifying human races in terms of skin colour, at least as one among several physiological characteristics, has been common since antiquity.Such divisions appeared in early modern scholarship, usually dividing humankind into four or five categories, with colour-based labels: red, yellow, black, white, and sometimes brown.
The Christian Arab intellectual Ibn Butlan of Baghdad wrote the first slave vade mecum, or handbook, in the 11th century, which recorded and described different ethnic and racial groups, dividing white slaves from black slaves and suggesting different tasks for each group based on their attributes. [143]
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
Specifically, blue and other darker shades continue to be described as black, yellow and orange colors are classified with red, and other bright colors continue to be classified with white. In the Bambara language , there are three color terms: dyema (white, beige), blema (reddish, brownish), and fima (dark green, indigo, and black).
[8] [9] [10] In addition, scholars reject the notion – implicit in a black or white Egypt hypothesis – that ancient Egypt was racially homogeneous; instead, skin colour varied between the peoples of Lower Egypt, Upper Egypt, and Nubia, who rose to power in various eras of ancient Egypt. Within Egyptian history, despite multiple foreign ...
The color spectrum clearly exists at a physical level of wavelengths (inter al.), humans cross-linguistically tend to react most saliently to the primary color terms (a primary motive of Bornstein's work and vision science generally) as well as select similar exemplars of these primary color terms, and lastly comes the process of linguistic ...
For example, the color of an object might appear different in the light from the sun versus from an incandescent (tungsten) light bulb. With the incandescent light bulb, the object might appear more orange or "brownish", and dark colors might look even darker. [23] Light and the color of an object may affect how one perceives its positioning.