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Basic Color Terms: Their Universality and Evolution (1969; ISBN 1-57586-162-3) is a book by Brent Berlin and Paul Kay. Berlin and Kay's work proposed that the basic color terms in a culture, such as black, brown, or red, are predictable by the number of color terms the culture has. All cultures have terms for black/dark and white/bright.
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
A color term (or color name) is a word or phrase that refers to a specific color. The color term may refer to human perception of that color (which is affected by visual context) which is usually defined according to the Munsell color system, or to an underlying physical property (such as a specific wavelength of visible light).
Yellow often decorates royal palaces, altars and temples, and the color was used in the dragon robes and attire of the emperors. [5] It was a rare honor to receive the imperial yellow jacket. Yellow also represents freedom from worldly cares and is thus esteemed in Buddhism. Monks' garments are yellow, as are elements of Buddhist temples.
Favoritism of colors varies widely. Often societal influences will have a direct impact on what colors are favored and disdained. In the West, the color black symbolizes mourning and sadness, red symbolizes anger and violence, white symbolizes purity and peace, and yellow symbolizes joy and luck (other colors lack a consistent meaning).
As a result, three-color printing became aesthetically and economically feasible in mass printed media, and the artists' color theory was adapted to primary colors most effective in inks or photographic dyes: cyan, magenta, and yellow (CMY). (In printing, dark colors are supplemented by black ink, called "key," to make the CMYK system; in both ...
In late antiquity, some early Christian writers began connecting the metaphorical goodness and morality associated in European culture with the colour white to the physical skin colour itself, while at the same time associating the negative concepts attached to the colour black with dark skin.
In theory, such combinations should produce black, but produce brown because most commercially available blue pigments tend to be comparatively weaker; [citation needed] the stronger red and yellow colors prevail, thus creating the following tones. The color brown can also be made if multiple paint colors are added to each other.