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"What a Beautiful Name" is a song by Australian praise and worship group Hillsong Worship. Written by bandmates Brooke Ligertwood and Ben Fielding , [ 1 ] [ 2 ] the song refers to the promise of salvation through Jesus Christ as represented by His Holy Name .
List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord: Play ...
No Other Name is the 23rd worship album by Hillsong and was released on 1 July 2014. [2] This live album is named after the 2014 Hillsong Conference. [3] The recording team for this album includes Reuben Morgan, Ben Fielding, Annie Garratt, Jad Gillies, David Ware, Jay Cook, Joel Houston, Matt Crocker, Taya Smith, Hannah Hobbs and Marty Sampson, among others.
The tune, originally a Silesian folk song, and the German text were printed together for the first time in 1842 by Hoffmann von Fallersleben and Richter under the name Schönster Herr Jesu (Most beautiful Lord Jesus). [4] [5] In 1850 the Danish hymnwriter B. S. Ingemann wrote Dejlig er jorden, which he set to the same melody. [6]
The main melodic theme was composed by Clarke, after experimenting with fingerings on the ukulele, and the chords were written by Monk. The word "epistrophe" is defined by Merriam-Webster as "the repetition of a word or expression at the end of successive phrases, clauses, sentences, or verses especially for rhetorical or poetic effect".
Jesus! what a strength in weakness! Let me hide myself in Him; Tempted, tried, and sometimes failing, He, my strength, my vic'try wins. Chorus Jesus! what a help in sorrow! While the billows o'er me roll, Even when my heart is breaking, He, my comfort, helps my soul. Chorus Jesus! what a guide and keeper! While the tempest still is high,
Oh, precious words that Jesus said: F.J. Crosby: 76: O love that passeth knowledge: Lyman G Cuyler* 83: Blessed Redeemer, full of compassion: F.J. Crosby: 96: Oh, wondrous Name by prophets heard: Julia Sterling* 97: The Ninety and Nine: There were ninety and nine that safely lay: Elizabeth C. Clephane: 104: The Lily of the Valley: I've found a ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...