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"Baby Blue" is a song written by Aaron Barker, and recorded by American country music artist George Strait. It was released in April 1988 as the second single from his album If You Ain't Lovin' You Ain't Livin'. It was a number-one hit in the United States, [2] while it peaked at number 3 in Canada.
One of the songs on the album held a unique fascination for Morrison and he soon started performing "It's All Over Now, Baby Blue" in small clubs and pubs as a solo artist (without Them). [ 24 ] Producer Tommy Scott was conscious of the importance of Dylan's music on the current pop scene and was eager for Morrison to cover "It's All Over Now ...
"Blue Baby Blue" was released as a single in October 1980. [3] The song spent 13 weeks on the Billboard Hot Country Singles chart before reaching the top 40 at number 27 in December 1980. [4] It was Anderson's final single release for Columbia Records. She would leave the label and not return to the charts until 1983 on the Permian label. [3]
Listen to the best country songs about sons relatable for moms and dads. This playlist includes artists like Reba McEntire, Chris Stapleton, and Kenny Chesney.
Gwen Stefani adopts her now-husband Blake Shelton's country stylings for "You Make It Feel Like Christmas." Related: Take a Romantic Look at Blake and Gwen's Sweet Love Story 2.
The title track peaked at number 73 on the Billboard Hot Country Singles & Tracks chart. [1] Barker also writes and performs commercials for Blue Bell Ice Cream. [8] On August 8, 2016, it was announced at a private press conference that Barker would be inducted into the Nashville Songwriters Hall of Fame at a ceremony held on October 9, 2016. [9]
"Believe," Brooks & Dunn. DOWNLOAD NOW. Country duo Brooks & Dunn tells the story of old man Wrigley, a Navy veteran who has lost his wife and his baby, through the eyes of a young boy.
"Baby Blue" was released as a single in the US on 6 March 1972, in a blue-tinted picture sleeve and featuring a new mix. [1] Because Al Steckler, the head of Apple US, felt that it needed a stronger hook in the opening, he remixed the track with engineer Eddie Kramer in February 1972, applying heavy reverb to the snare during the first verse and middle eight. [1]