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Carl Brenders (born 1937) is a naturalist and painter, born near Antwerp, Belgium. [1] The painter is most famous for his detailed and lifelike paintings of wildlife. Some of the artist's accomplishments include illustrations of wildlife for La Vie secrète des bêtes, a book series (published in English as Nature's Hidden World), and being named the 24th Master Artist at the 2002 Birds in Art ...
Image credits: culturaltutor The Church at Auvers by Vincent van Gogh (1890), the first famous painting in the list by Cultural Tutor, was done by the painter during his visit to Auvers.Van Gogh ...
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Munch was particularly inspired by Gauguin's "reaction against realism" and his credo that "art was human work and not an imitation of Nature", a belief earlier stated by Whistler. [37] As one of his Berlin friends said later of Munch, "he need not make his way to Tahiti to see and experience the primitive in human nature.
— One of the world’s most famous paintings is now on display at the Nelson-Atkins Museum. Called “Under the Wave off Kanagawa,” this painting has inspired countless artists over the past ...
His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. [2] [3] [4] Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as ...
The painting of the haloed sun was a characteristic style seen in many of his paintings, [11] representing the divine, in reference to the nimbus in Delacroix's Christ Asleep During the Tempest. [12] Van Gogh found storms important for their restorative nature, symbolizing "the better times of pure air and the rejuvenation of all society."
Artists turned to their inner world, it was their own temperament that dictated the rules and not society. Faced with academic rules, they gave primacy to the imagination, which would be the new vehicle of expression. All this is at the basis of Symbolist art, to the point that some experts consider it a part of the Romantic movement. [23]