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The writer's voice (or writing voice) is a term some critics use to refer to distinctive features of a written work in terms of spoken utterance. The voice of a literary work is then the specific group of characteristics displayed by the narrator or poetic "speaker" (or, in some uses, the actual author behind them), assessed in terms of tone ...
An individual's writing style may be distinctive for particular themes, personal idiosyncrasies of phrasing and/or idiolect; recognizable combinations of these patterns may be defined metaphorically as a writer's "voice." Organizations that employ writers or commission written work from individuals may require that writers conform to a "house ...
The method of court reporting known as voice writing, formerly called "stenomask," was developed by Horace Webb in the World War II era. Before inventing voice writing, Webb was a Gregg shorthand writer. Court reporting using Gregg shorthand is a multi-level process in which the reporter records the proceedings using shorthand and then dictates ...
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Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
The book approaches prose through words, sentences, and music (which includes voice, lyricism, melody and rhythm). It then breaks down each of these ideas into separate chapters that are themselves broken into "bones" (grammar lesson), "flesh" (writing lesson), "cardinal sins" (the don'ts) and "carnal pleasures" (the do's). [1]