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There are also many cases in which homographs are of an entirely separate origin, or whose meanings have diverged to the point that present-day speakers have little historical understanding: for example, "bat". Many, though not all of these, have first syllables that evolved from Latin.
aahed and odd; adieu and ado; ant and aunt; aural and oral; err becomes the same as ere, air and heir; marry and merry; rout and route; seated and seeded; shone and shown; tidal and title; trader and traitor
The term homophone sometimes applies to units longer or shorter than words, for example a phrase, letter, or groups of letters which are pronounced the same as a counterpart. Any unit with this property is said to be homophonous (/ h ə ˈ m ɒ f ən ə s /). Homophones that are spelled the same are both homographs and homonyms.
Homophones (literally "same sound") are usually defined as words that share the same pronunciation, regardless of how they are spelled. [ note 2 ] If they are spelled the same then they are also homographs (and homonyms); if they are spelled differently then they are also heterographs (literally "different writing").
Synonym list in cuneiform on a clay tablet, Neo-Assyrian period [1] A synonym is a word, morpheme, or phrase that means precisely or nearly the same as another word, morpheme, or phrase in a given language. [2] For example, in the English language, the words begin, start, commence, and initiate are all synonyms of one another: they are ...
second / ˈ s ɛ k ə n d / adjective, noun, verb ordinal of "two", 1/60 of a minute, to endorse a motion / s ə ˈ k ɒ n d / verb to transfer temporarily to an alternative employment separate / ˈ s ɛ p ər ə t / adjective This should be divided into packets of ten cartridges each, which should be rolled up in flannel and hermetically ...
It consists of two relations; the first one being exemplified in "An X is a Y" (simple hyponymy) while the second relation is "An X is a kind/type of Y". The second relation is said to be more discriminating and can be classified more specifically under the concept of taxonomy.
Homophony first appeared as one of the predominant textures in Western classical music during the Baroque period in the early 17th century, when composers began to commonly compose with vertical harmony in mind, the homophonic basso continuo becoming a definitive feature of the style. [7]