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Acrostic: a writing in which the first letter, syllable, or word of each line can be put together to spell out another message Mesostic: a writing in which a vertical phrase intersects lines of horizontal text; Word square: a series of letters arranged in the form of a square that can be read both vertically and horizontally
Some homographs are nouns or adjectives when the accent is on the first syllable, and verbs when it is on the second. When the prefix "re-" is added to a monosyllabic word, the word gains currency both as a noun and as a verb.
Homophones (literally "same sound") are usually defined as words that share the same pronunciation, regardless of how they are spelled. [ note 2 ] If they are spelled the same then they are also homographs (and homonyms); if they are spelled differently then they are also heterographs (literally "different writing").
aahed and odd; adieu and ado; ant and aunt; aural and oral; err becomes the same as ere, air and heir; marry and merry; rout and route; seated and seeded; shone and shown; tidal and title; trader and traitor
The term homophone sometimes applies to units longer or shorter than words, for example a phrase, letter, or groups of letters which are pronounced the same as a counterpart. Any unit with this property is said to be homophonous (/ h ə ˈ m ɒ f ən ə s /). Homophones that are spelled the same are both homographs and homonyms.
second / ˈ s ɛ k ə n d / adjective, noun, verb ordinal of "two", 1/60 of a minute, to endorse a motion / s ə ˈ k ɒ n d / verb to transfer temporarily to an alternative employment separate / ˈ s ɛ p ər ə t / adjective This should be divided into packets of ten cartridges each, which should be rolled up in flannel and hermetically ...
It consists of two relations; the first one being exemplified in "An X is a Y" (simple hyponymy) while the second relation is "An X is a kind/type of Y". The second relation is said to be more discriminating and can be classified more specifically under the concept of taxonomy. [10]
Homophony first appeared as one of the predominant textures in Western classical music during the Baroque period in the early 17th century, when composers began to commonly compose with vertical harmony in mind, the homophonic basso continuo becoming a definitive feature of the style. [7]