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English Renaissance theatre may be said to encompass Elizabethan theatre from 1562 to 1603, Jacobean theatre from 1603 to 1625, and Caroline theatre from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period.
The importance of the humanistic comedy lies in the fact that it marks the genesis of the "profane drama", the result not of a cultural process from below, but of an invention from above, carried out by a cultured and participating urban bourgeoisie, able to grasp and elaborate the ferments of an era of great transformation and renewal. [26]
The English Renaissance was a cultural and artistic movement in England during the late 15th, 16th and early 17th centuries. [1] It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late 14th century.
English Renaissance theatre derived from several medieval theatre traditions, such as, the mystery plays that formed a part of religious festivals in England and other parts of Europe during the Middle Ages. Other sources include the "morality plays" and the "University drama" that attempted to recreate Athenian tragedy.
The Renaissance of the 12th century was a period of many changes at the outset of the High Middle Ages. It included social , political and economic transformations, and an intellectual revitalization of Western Europe with strong philosophical and scientific roots.
The Renaissance has a long and complex historiography, and in line with general skepticism of discrete periodizations, there has been much debate among historians reacting to the 19th-century glorification of the "Renaissance" and individual cultural heroes as "Renaissance men", questioning the usefulness of Renaissance as a term and as a ...
Noted for its variety, the theatre of Renaissance Spain was the only in Europe to simultaneously include secular and religious dramas. [5] Additionally, state sponsored drama existed harmoniously alongside popular for-profit theatre, [9] with many theatre artists contributing significantly to both.
French theatre in the 16th-century followed the same patterns of evolution as the other literary genres of the period. For the first decades of the century, public theatre remained largely tied to its long medieval heritage of mystery plays, morality plays, farces, and soties, although the miracle play was no longer in vogue.