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Prior to contact, pottery was usually open-air fired or pit fired; precontact Indigenous peoples of Mexico used kilns extensively. Today many Native American ceramic artists use kilns. In pit-firing, the pot is placed in a shallow pit dug into the earth along with other unfired pottery, covered with wood and brush, or dung, then set on fire ...
Black-on-black ware is a 20th and 21st-century pottery tradition developed by Puebloan Native American ceramic artists in Northern New Mexico. Traditional reduction-fired blackware has been made for centuries by Pueblo artists and other artists around the world.
An example is a 1930s vase in the collection of the Smithsonian Institution's National Museum of the American Indian in Washington, D.C. [18] Her work is distinguished by the shapes of the pottery and the designs. She made wide, low, rounded, shaped pottery and, in later years, tall jars. [9]
[62] Native American modern and contemporary art, and pueblo pottery and other "crafts" face a kind of double jeopardy because in the past not only have "craft-based media" been excluded from American art history, the field has frequently marginalized Native American art and the artists that make these works, relinquishing them to the realms of ...
Native American potters (3 C, 47 P) Pueblo ceramics (6 P) Pages in category "Native American pottery" The following 7 pages are in this category, out of 7 total.
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
Native American pottery (2 C, 7 P) P. Paraguayan pottery (1 C) Pre-Columbian pottery (17 P) Pages in category "Indigenous ceramics of the Americas"
Point Peninsula pottery represented a new kind of technology in North America and has also been called Vinette II. Compared to existing ceramics that were thicker and less decorated, this new pottery has been characterized by "superior modeling of the clay with vessels being thinner, better fired and containing finer grit temper."