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Aubrey Vincent Beardsley (/ ˈ b ɪər d z l i / BEERDZ-lee; 21 August 1872 – 16 March 1898) was an English illustrator and author. His black ink drawings were influenced by Japanese woodcuts, and depicted the grotesque, the decadent, and the erotic.
Karenga says, "Black Art must expose the enemy, praise the people, and support the revolution". The notion "art for art's sake" is killed in the process, binding the Black Aesthetic to the revolutionary struggle, a struggle that is the reasoning behind reclaiming Black art in order to return to African culture and tradition for Black people. [34]
The Black & White Audiovisual Festival (Portuguese: Festival Audiovisual Black & White) is a Portuguese arts festival which takes place in April. It celebrates the black & white aesthetics in film, photography and sound. It's located at Universidade Católica Portuguesa - Centro Regional da Foz – through the Escola das Artes in Oporto, Portugal.
Jeff Donaldson (1932 – 2004) was a visual artist whose work helped define the Black Arts Movement of the 1960s and 1970s. [1] Donaldson, co-founder of AfriCOBRA and contributor to the momentous Wall of Respect, was a pioneer in African-American personal and academic achievement.
The 1998 Tony award winning Broadway play 'Art' employed a white monochrome painting as a prop to generate an argument about aesthetics which made up the bulk of the play. The 1995 Cesar award winning movie The Three Brothers featured a white monochrome painting by fictitious artist Whiteman (inspired by K. Malevich White on White masterpiece).
The American People Series #20: Die is an oil on canvas painting made by American artist Faith Ringgold in 1967. [2] Inspired by Pablo Picasso's painting Guernica (1937) and painted amidst the riots and uprisings of the 1960s, Die is a two-panel work depicting a group of Black and white men, women, and children, most of whom are wounded or covered in blood, variously fighting, fleeing, or ...
Simpson is successful in creating a powerful piece out of Stereo Styles from the seriousness of the black and white to the undertone of sarcasm in the descriptive words written in the center. Through her layout and representation of the young woman in the ten photos, the principles of cosmetic advertising of the 1980s can be used as a reference ...
The cultural mulatto is a concept introduced by Trey Ellis in his 1989 essay "The New Black Aesthetic". While the term "mulatto" typically refers to a person of mixed black and white ancestry, a cultural mulatto is defined by Ellis as a black person who is highly educated and usually a part of the middle or upper-middle class, and therefore assimilates easily into traditionally white environments.