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A DJ scratching a record. Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.
Turntablist Transcription Methodology, or TTM, is a notation system for scratching and turntablism.The system was founded by John Carluccio in 1997. [1] A booklet detailing the system was written and published by John Carluccio, industrial designer Ethan Imboden and Raymond Pirtle (DJ Raedawn) in 2000. [2]
It was invented by DJ Jazzy Jeff. The scratch is somewhat difficult to perform because it takes a good amount of coordination. The scratch starts out with the cross-fader open. The DJ then moves the record forward while simultaneously closing the previously opened channel ending the first sound. Then, in a reverse fashion, the DJ opens the ...
N2IT developed Final Scratch between 1998 and 2002 and showed a non-functioning prototype at the BE Developer Conference, marking the first digital DJ system to allow DJs control of MP3 files through special time-coded vinyl records or CDs. The "Final Scratch" system developed by N2IT shipped its first working units in early 2002 and DJs were ...
Scratching: Although the invention of record scratching as a form of adding to the musical entertainment is generally credited to Grand Wizzard Theodore, Grandmaster Flash perfected the technique and brought it to new audiences. Scratching, along with punch phrasing, exhibited a unique aspect of party DJing: instead of passively spinning ...
In a recording context, this refers to a rough "scratch track", which is the recording of a rhythm section part or vocals which is done to provide a temporary reference point for the performers who will be recording their parts (the "scratch track" is erased later on; in the context of hip-hop music and turntablism, "scratching" refers to the ...
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A crab is a type of scratch used by turntablists, combining hand movements on a turntable with rapid manipulation of the crossfader.This technique enables the creation of multiple, rapid sound variations, producing a unique stutter sound that blends audio and silence, giving it an almost robotic quality.