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Standard manuscript format is a formatting style for manuscripts of short stories, novels, poems and other literary works submitted by authors to publishers.Even with the advent of desktop publishing, making it possible for anyone to prepare text that appears professionally typeset, many publishers still require authors to submit manuscripts within their respective guidelines.
Robert Delaunay, 1912–13, Le Premier Disque, 134 cm (52.7 in.), private collection. Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1]
Keris Mas main contribution in the field of local literature was in short stories. By the end of the 1960s, he had written about 60 short stories. His first short story was Wasiat Orang Bangsawan (The Last Will and Testament of a Nobleman), published in the magazine Suluh Malaya (The Malayan Torch) in 1946.
In philosophy and the arts, a fundamental distinction is between things that are abstract and things that are concrete.While there is no general consensus as to how to precisely define the two, examples include that things like numbers, sets, and ideas are abstract objects, while plants, dogs, and planets are concrete objects. [1]
Anwar first read "Aku" at the Jakarta Cultural Centre in July 1943. [1] It was then printed in Pemandangan under the title "Semangat" ("Spirit"); according to Indonesian literary documentarian HB Jassin, this was to avoid censorship and to better promote the nascent independence movement. [2] "
His writings in exile include "Exile", "Orang-orang yang Dilupakan" and "Kronologi in Memoriam". Wispi's poems written during his exile period are included in "Di Negeri Orang- Puisi Penyair Indonesia Eksil" (On Foreign Shores- Poems by Exiled Indonesian Poets), published in 2002, which is an anthology of poets and writers in exile.
Abdul Djalil Pirous (11 March 1932 – 16 April 2024), known as A.D. Pirous, was an Indonesian fine arts artist and lecturer.He was a pioneer in graphic design education at the Fine Arts Institute of Technology in Bandung, and the founder of an art and design studio called Decenta (1973–1983).
Umi Dachlan, born Umajah Dachlan, (13 August 1942 - 1 January 2009), [1] was a pioneering Indonesian painter and an art lecturer. [2] She graduated from the Faculty of Fine Arts and Design at the Bandung Institute of Technology ITB in 1968 as the third female graduate, where she also become the first female lecturer.