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Standard manuscript format is a formatting style for manuscripts of short stories, novels, poems and other literary works submitted by authors to publishers.Even with the advent of desktop publishing, making it possible for anyone to prepare text that appears professionally typeset, many publishers still require authors to submit manuscripts within their respective guidelines.
Keris Mas main contribution in the field of local literature was in short stories. By the end of the 1960s, he had written about 60 short stories. His first short story was Wasiat Orang Bangsawan (The Last Will and Testament of a Nobleman), published in the magazine Suluh Malaya (The Malayan Torch) in 1946.
Anwar first read "Aku" at the Jakarta Cultural Centre in July 1943. [1] It was then printed in Pemandangan under the title "Semangat" ("Spirit"); according to Indonesian literary documentarian HB Jassin, this was to avoid censorship and to better promote the nascent independence movement. [2] "
Abdul Djalil Pirous (11 March 1932 – 16 April 2024), known as A.D. Pirous, was an Indonesian fine arts artist and lecturer.He was a pioneer in graphic design education at the Fine Arts Institute of Technology in Bandung, and the founder of an art and design studio called Decenta (1973–1983).
Alisjahbana was born on 11 February 1908. [2]His first novel, Tak Putus Dirundung Malang (Misfortune without End) was published by Balai Pustaka in 1929. [2] STA Together with Amir Hamzah and Armijn Pane, they founded and edited a journal that contained the best work of prewar writers, called Poedjangga Baroe (The New Writer), and the journal was first published in 1933.
His writings in exile include "Exile", "Orang-orang yang Dilupakan" and "Kronologi in Memoriam". Wispi's poems written during his exile period are included in "Di Negeri Orang- Puisi Penyair Indonesia Eksil" (On Foreign Shores- Poems by Exiled Indonesian Poets), published in 2002, which is an anthology of poets and writers in exile.
Ahmad Sadali (24 Juli 1924 – 19 September 1987) [1] comes from a family with diversified batik and printing businesses. He was an Indonesian painter and art lecturer who is well-known for his abstract art, especially Abstract expressionism, and Cubism [2] and Color field painting.
Wisdom of the East, fresco mural in Jefferson Hall, East-West Center, Honolulu, by Affandi, 1967. Affandi (18 May 1907 – 23 May 1990) was an Indonesian artist. Born in Cirebon, West Java, as the son of R. Koesoema, who was a surveyor at a local sugar factory, Affandi finished his upper secondary school in Jakarta.