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The original manuscript of the poem, BL Harley MS 2253 f.63 v "Alysoun" or "Alison", also known as "Bytuene Mersh ant Averil", is a late-13th or early-14th century poem in Middle English dealing with the themes of love and springtime through images familiar from other medieval poems.
The pasquinades (satirical poems) glued to the Talking Statues of Rome. They still appear from time to time. The Key of Solomon; The Skibby Chronicle; La Farce de maître Pierre Pathelin; Hypnerotomachia Poliphili, published anonymously at the time, now considered likely to have been written by Francesco Colonna; The Voynich manuscript
Atticus is an anonymous poet. [1] [2] [3] He is the author of five books, including The Dark Between Stars and The Truth About Magic, both of which are New York Times Best Sellers. [4] [5] Atticus writes poetry, epigrams, and aphorisms incorporating themes of love, relationships, and adventure.
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In the poem “Painted Tongue,” Byas writes: “We twist and turn in the mirror,/ my mother and I becoming each other,/ her bruises and scars passed down,/ family heirlooms that will take/ me ...
"Tom o' Bedlam" is the title of an anonymous poem in the "mad song" genre, written in the voice of a homeless "Bedlamite". The poem was probably composed at the beginning of the 17th century. In How to Read and Why Harold Bloom called it "the greatest anonymous lyric in the [English] language." [1]
The author or poet of Soul and Body is unknown; however, as Michael Lapidge points out "several aspects of the poems' eschatology show signs of Irish influence," most significantly the overtly Christian reference to the soul's disapproval of its body's actions, as well as the ultimate destiny for mankind and his soul (425).
"The Husband's Message" is an anonymous Old English poem, 53 lines long [1] and found only on folio 123 of the Exeter Book.The poem is cast as the private address of an unknown first-person speaker to a wife, challenging the reader to discover the speaker's identity and the nature of the conversation, the mystery of which is enhanced by a burn-hole at the beginning of the poem.