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Lloyd Allayre Loar (1886–1943) was an American musician, instrument designer and sound engineer. He is best known for his design work with the Gibson Mandolin-Guitar Mfg. Co. Ltd. in the early 20th century, [3] including the F-5 model mandolin and L-5 guitar.
Mandolin awareness in the United States blossomed in the 1880s, as the instrument became part of a fad that continued into the mid-1920s. [14] [15] According to Clarence L. Partee a publisher in the BMG movement (banjo, mandolin and guitar), the first mandolin made in the United States was made in 1883 or 1884 by Joseph Bohmann, who was an established maker of violins in Chicago. [16]
Vivi-Tone was a musical instrument company formed in partnership by former instrument designer for Gibson Guitar Corporation, Lloyd Loar, Lewis A. Williams, and Walter Moon. The company was incorporated in Kalamazoo, Michigan on November 1, 1933, with executive offices in Detroit . [ 1 ]
The F-5 is a mandolin made by Gibson beginning in 1922. Some of them are referred to as Fern because the headstock is inlaid with a fern pattern. The F-5 became the most popular and most imitated American mandolin, [1] and the best-known F-5 was owned by Bill Monroe, the father of bluegrass music, who in turn helped identify the F-5 as the ultimate bluegrass mandolin.
The octave mandolin (US and Canada) or octave mandola (Ireland and UK) is a fretted string instrument with four pairs of strings tuned in fifths, G−D−A−E (low to high). It is larger than the mandola , but smaller than the mandocello and its construction is similar to other instruments in the mandolin family.
Joseph Brent with a 1924 Gibson F5 Mandolin (one made by Lloyd Loar). The Lloyd Loar mandolins are popular because early Bluegrass musician, Bill Monroe , used one to get his distinctive sound. Bluegrass mandolin is a style of mandolin playing most commonly heard in bluegrass bands.