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Vassanji's works have been reviewed by literary critics, such as in works edited by 2021 Nobel prize winner Abdulrazak Gurnah. [3] Several themes emerge. [10] [11] [12] Mainly, his characters are the Asians of East Africa (Kenya, Uganda, and Tanzania), whose historical record, as of that region as a whole, is sparse.
The Grand Grimoire, also known as Le Dragon Rouge or The Red Dragon, is a black magic [1] goetic grimoire. Different editions date the book to 1521, 1522 or 1421. Different editions date the book to 1521, 1522 or 1421.
The Book of Secrets is a novel by M. G. Vassanji, published in 1994. It was the winner of the first Giller Prize for Canadian fiction. Vassanji also became the award's first-ever repeat winner in 2003 for his novel The In-Between World of Vikram Lall .
The eschatology of the book is rather unusual. The end time described by the author does not manifest itself in the normal culmination of a battle, judgment or catastrophe, but rather as "a steady increase of light, [through which] darkness is made to disappear or in which iniquity dissolves and just as the smoke rising into the air eventually dissipates". [5]
The Book of Secrets, 1997 album by Loreena McKennitt; The Secret Book, 2006 Macedonian detective film directed by Vlado Cvetanovski; National Treasure: Book of Secrets, 2007 film directed by Jon Turteltaub; America's Book of Secrets, a program broadcast by History TV channel "Book of Secrets" (L.A.'s Finest), a 2019 television episode
The Secretum Secretorum or Secreta Secretorum (Latin, 'Secret of secrets'), also known as the Sirr al-Asrar (Arabic: كتاب سر الأسرار, lit. 'The Secret Book of Secrets'), is a treatise which purports to be a letter from Aristotle to his student Alexander the Great on an encyclopedic range of topics, including statecraft, ethics ...
The True Black Magic (French: La véritable magie noire), also known as The secret of secrets, is a pseudepigraphical grimoire or book of spells attributed to King Solomon. [1] It probably dates back to the 14th or 15th century 🪄
[5] An editor at The Readers Hut described it as "satirical political book, the undertones of politics and the state of Nigeria were present." [ 11 ] For Segun Ayobulu, it is "...is a graphic fictional narrative of the political economy of greed and criminal pursuit of wealth acquisition at practically all spheres of life in contemporary Nigeria."