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Country blues ran parallel to urban blues, which was popular in cities. [2] Historian Elijah Wald notes many similarities between blues, bluegrass, and country & western styles with roots in the American south. [3] Record labels in the 1920s and 1930s carefully segregated musicians and defined styles for racially targeted audiences. [4]
The first blues recordings from the 1920s are categorized as a traditional, rural country blues and a more polished city or urban blues. Country blues performers often improvised, either without accompaniment or with only a banjo or guitar. Regional styles of country blues varied widely in the early 20th century.
The historian Sylviane Diouf and ethnomusicologist Gerhard Kubik identify Islamic music as an influence on blues music. [11] [12] Diouf notes a striking resemblance between the Islamic call to prayer (originating from Bilal ibn Rabah, a famous Abyssinian African Muslim in the early 7th century) and 19th-century field holler music, noting that both have similar lyrics praising God, melody, note ...
Delta blues is one of the earliest-known styles of blues. It originated in the Mississippi Delta and is regarded as a regional variant of country blues. Guitar and harmonica are its dominant instruments; slide guitar is a hallmark of the style. Vocal styles in Delta blues range from introspective and soulful to passionate and fiery.
Hill country blues (also known as North Mississippi hill country blues or North Mississippi blues) is a regional style of country blues.It is characterized by a strong emphasis on rhythm and percussion, steady guitar riffs, few chord changes, unconventional song structures, and heavy emphasis on the "groove", which has been characterized as the "hypnotic boogie".
Country blues (also folk blues, rural blues, backwoods blues, or downhome blues) refers to all the acoustic, guitar-driven forms of the blues.Originating in the southern United States, country blues quickly spread throughout the country resulting in many regional styles, Memphis, Detroit, Chicago, Texas, Piedmont, Louisiana, Western, Atlanta, St. Louis, East Coast, Swamp, New Orleans, Delta ...
Memphis blues is a regional style created by area musicians such as Frank Stokes, Sleepy John Estes, Furry Lewis, Memphis Minnie, and Memphis Jug Band [12] in the 1910s-1930s, with stylistic origins in Country blues and Delta blues. [13] Memphis was a center of blues music for much of the 20th century.
Vaudevillean Mamie Smith records "Crazy Blues" for Okeh Records, the first blues song commercially recorded by an African-American singer, [1] [2] [3] the first blues song recorded at all by an African-American woman, [4] and the first vocal blues recording of any kind, [5] a few months after making the first documented recording by an African-American female singer, [6] "You Can't Keep a Good ...