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In publishing and library and information science, the term serial is applied to materials "in any medium issued under the same title in a succession of discrete parts, usually numbered (or dated) and appearing at regular or irregular intervals with no predetermined conclusion."
In literature, a serial is a printing or publishing format by which a single larger work, often a work of narrative fiction, is published in smaller, sequential instalments.
In the interwar period, series fiction expanded from literature (novels) to other mediums, notably comics and films. [2]: 539 During that time, Edward Stratemeyer's Tom Swift series was extremely popular among the young readers in the United States. [3]: 881 Postwar period saw the emergence of a female protagonist in the series fiction.
Originality is the aspect of created or invented works that distinguish them from reproductions, clones, forgeries, or substantially derivative works. [citation needed] The modern idea of originality is according to some scholars tied to Romanticism, [1] by a notion that is often called romantic originality.
A book series is a sequence of books having certain characteristics in common that are formally identified together as a group. Book series can be organized in different ways, such as written by the same author, or marketed as a group by their publisher.
The copyright law of the United States grants monopoly protection for "original works of authorship". [ 1 ] [ 2 ] With the stated purpose to promote art and culture , copyright law assigns a set of exclusive rights to authors: to make and sell copies of their works, to create derivative works, and to perform or display their works publicly.
French law prefers the term "œuvre composite" ("composite work") although the term '"œuvre dérivée" is sometimes used. It is defined in article L 113-2, paragraph 2 of the Intellectual Property Code as "new works into which pre-existing work [is incorporated], without the collaboration of its author". [3]
In 1761 the Royal Council awarded a royal privilege to the heirs of an author rather than the author's publisher, sparking a national debate on the nature of literary property similar to that taking place in Britain during the battle of the booksellers. [36] In 1777 a series of royal decrees reformed the royal privileges.