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To me, fair friend, you never can be old, For as you were when first your eye I ey’d, Such seems your beauty still. Three winters cold Have from the forests shook three summers’ pride, Three beauteous springs to yellow autumn turn’d In process of the seasons have I seen, Three April perfumes in three hot Junes burn’d,
The discs were used as evidence for a soldiers death . This poem is influenced by William Shakespeare's Sonnet 104 first two lines; To me, fair friend, you never can be old, For as you were when first your eye I ey'd and John Keats' poem 'When I have Fears that I may Cease to Be'. [2]
The poem opens up with the speaker remembering his past losses. The narrator grieves his failures and shortcomings while also focusing on the subject of lost friends and lost lovers. [ 16 ] Within the words of the sonnet, the narrator uses legal and financial language. [ 17 ]
Holograph manuscript of Gray's "Stanzas Wrote in a Country Church-Yard". The poem most likely originated in the poetry that Gray composed in 1742. William Mason, in Memoirs, discussed his friend Gray and the origins of Elegy: "I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time [August 1742] also: Though I am aware that as it stands at ...
Sonnet 26 is one of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence. The sonnet is generally regarded as the end-point or culmination of the group of five preceding poems. It encapsulates several themes not only of Sonnets 20–25, but also of the first thirty-two poems ...
Night and day on me she cries; Out of my bed she bids me rise, Says, "haste, and come to me!" O Helen fair! O Helen chaste! If I were with thee I were blest, Where thou lies low, and takes thy rest, On fair Kirconnell Lea. I wish my grave were growing green, A winding sheet drawn ower my een, And I in Helen's arms lying, On fair Kirconnell Lea.
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Carl Atkins' analysis undermines some of the more popular interpretations of this sonnet, largely because he emphasizes the possibility that the poet and the male beloved (or "Fair Youth") had a passionate but platonic friendship, devoid of sexual tension. Like Wright and Gibbons, Atkins picks up on the Christian imagery and emphasis on "fair ...