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A movie pressbook should be distinguished from a press book, which is a collection of works and communications used to represent an individual, group of individuals, service, company or product. Such press books are usually associated with professionals in the graphic arts, etc. but are used by people in many other professions as well.
At the end of 2001, Hershenson had posted his first online major movie poster auction, which grossed $776,000, with each piece selling for an average of $1,000. [ 1 ] In 2008, after selling approximately 330,000 vintage movie posters on eBay, Hershenson began selling exclusively on his own website, eMoviePoster.com, due to an objection with ...
The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.
John Henry Alvin (November 24, 1948 [1] – February 6, 2008) [2] was an American cinematic artist and painter who illustrated many movie posters. [2] Alvin created posters and key art [1] for more than 135 films, beginning with the poster for Mel Brooks's Blazing Saddles (1974). [2]
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File:A Horrible Way to Die (movie poster).jpg; File:A Kid Like Jake.png; File:A Kind of Loving (1962) film poster.jpg; File:A Kind of Murder (film) poster.jpg; File:A Lady Without Passport movie poster.jpg; File:A Ladys Morals.jpg; File:A Landscape of Lies.jpg; File:A Late Quartet Poster.jpg; File:A letter to three wives movie poster.jpg
File:A Kiss for Corliss poster.jpg; File:A knight for a day poster.jpg; File:A Lady Takes a Chance 1943.jpg; File:A letter to three wives movie poster.jpg; File:A Likely Story poster.jpg; File:A Man's World 1942 poster.jpg; File:A Missouri Outlaw poster.jpg; File:A Night at Earl Carroll's poster.jpg; File:A Night for Crime.jpg; File:A Night in ...
At the same time, the mobile cinema business changed so that local audiences would more often watch movies at home and movie houses would use much cheaper mass-producible digital ads for movies. With the new international market for Ghanaian movie posters, some film poster painters continued to paint not for Ghanaian audiences, but for the ...