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  2. Roland Space Echo - Wikipedia

    en.wikipedia.org/wiki/Roland_Space_Echo

    Users may adjust the bass and treble levels on the output sound, the number of echo repeats, the length of each echo, and the ratio of the echo and reverb sounds. [1] The Space Echo has two microphone inputs, one instrument input, and one input for a mixer or PA. [1] The character of the delay sound changes as the tape wears with use. [2]

  3. Echo chamber - Wikipedia

    en.wikipedia.org/wiki/Echo_chamber

    An echo chamber is a hollow enclosure used to produce reverberation, usually for recording purposes. A traditional echo chamber is covered in highly acoustically reflective surfaces. By using directional microphones pointed away from the speakers, echo capture is maximized. Some portions of the room can be moved to vary the room's decay time.

  4. Reverse echo - Wikipedia

    en.wikipedia.org/wiki/Reverse_echo

    Reverse reverb is commonly used in shoegaze, particularly by such bands as My Bloody Valentine and Spacemen 3. It is also often used as a lead-in to vocal passages in hardstyle music, and various forms of EDM and pop music. The reverse reverb is applied to the first word or syllable of the vocal for a build-up effect or other-worldly sound.

  5. Reverb effect - Wikipedia

    en.wikipedia.org/wiki/Reverb_effect

    A reverb effect, or reverb, is an ... Putnam placed a microphone and loudspeaker in the studio bathroom to create an echo chamber, adding an "eerie dimension". ...

  6. Reverberation - Wikipedia

    en.wikipedia.org/wiki/Reverberation

    Reverberation (commonly shortened to reverb), in acoustics, is a persistence of sound after it is produced. [1] Reverberation is created when a sound or signal is reflected. This causes numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and ...

  7. Wall of Sound - Wikipedia

    en.wikipedia.org/wiki/Wall_of_Sound

    The echo-laden sound was then channeled back to the control room, where it was recorded on tape. The natural reverberation and echo from the hard walls of the echo chamber gave Spector's productions their distinctive quality and resulted in a rich, complex sound that, when played on AM radio , had a texture rarely heard in musical recordings.