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IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Frontispiece to the Odhecaton. Adieu mes amours by Josquin des Prez in the Odhecaton.. The Harmonice Musices Odhecaton (One Hundred Songs of Harmonic Music, [1] also known simply as the Odhecaton) is an anthology of polyphonic secular songs published by Ottaviano Petrucci in 1501 in Venice.
Ottaviano Petrucci (Fossombrone, 18 June 1466 – Venice, 7 May 1539) was an Italian printer. His Harmonice Musices Odhecaton , a collection of chansons printed in 1501, is commonly misidentified as the first book of sheet music printed from movable type .
A facsimile of the Chigi Codex in seven parts is available to view online, [2] in the International Music Scores Library Project, or IMSLP. The Petrucci Music Library/IMSLP is run by Project Petrucci LLC in the U.S.A. [3]
Il matrimonio segreto was first performed in the United States at the Italian Opera House in New York City on 8 January 1834. The Metropolitan Opera presented the work for the first time on 25 February 1937 with Muriel Dickson as Carolina, George Rasely as Paolino, Natalie Bodanya as Elisetta, Julius Huehn as Robinson, and Ettore Panizza ...
il linguaggio dell'amor; testimonio or sei tu sola del mio fervido desir, ed a lei che m'innamora conta i palpiti e i sospir. Dille pur che lontananza il mio duol non può lenire, che se nutro una speranza, ella è sol nell'avvenir. Dille pur che giorno e sera conto l'ore del dolor, che una speme lusinghiera mi conforta nell'amor.
"The Arrival of the Queen of Sheba", also known as "The Entrance of the Queen of Sheba" and "The Entry of the Queen of Sheba", is the sinfonia that opens George Frideric Handel's 1749 oratorio Solomon.
Il combattimento di Tancredi e Clorinda (The Combat of Tancredi and Clorinda), SV 153, is an operatic scena for three voices by Claudio Monteverdi. The libretto is drawn from Torquato Tasso's La Gerusalemme Liberata. It was first performed in Venice in 1624, and printed in 1638 in Monteverdi's eighth book of madrigals.