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A mock-Victorian revisionist version of Romeo and Juliet 's final scene (with a happy ending, Romeo, Juliet, Mercutio, and Paris restored to life, and Benvolio revealing that he is Paris's love, Benvolia, in disguise) forms part of the 1980 stage-play The Life and Adventures of Nicholas Nickleby. [144]
In Modern English, the word "lines" does not carry the double meaning of the Early Modern English, when the line–loin merger was present; both lines and loins were pronounced as . [9] Thus, Modern English audiences miss the pun. Another example is the pronunciation of "hour", as in As You Like It: And so from hour to hour we ripe and ripe.
In the famous speech of Act II, Scene II [1] of the play, the line is said by Juliet in reference to Romeo's house: Montague. The line implies that his name (and thus his family's feud with Juliet's family) means nothing and they should be together. Juliet: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;
Act Scene Location Appr. # lines Synopsis I 1 Rome. A street. 292 I 2 Corioli. The Senate-house. 46 I 3 Rome. A room in Martius Coriolanus' house. 106 I 4 Before Corioli. 75 I 5 Corioli. A street. 32 I 6 Near Cominius' camp. 104 I 7 The gates of Corioli. 8 I 8 A field of battle. 19 I 9 The Roman camp. 106 I 10 The Volscian camp. 36 II 1 Rome. A ...
Olivier's first performance of Shakespeare on screen. It was also the final film of stage actors Leon Quartermaine and Henry Ainley and featured an early screen role for Ainley's son Richard as Sylvius, as well as for John Laurie, who played Orlando's brother Oliver.
The phrase is spoken in Act 3, Scene 1 of the tragedy. Tybalt, a kinsman of the Capulets and cousin to Juliet, is dueling with Mercutio, a friend of Romeo from the Montague family. Romeo and Benvolio attempt to break up the fight. Mercutio, distracted, does not see his opponent and is fatally wounded by Tybalt under Romeo's arm.
Speaking of Romeo & Juliet, Clive James wrote in The Observer "Verona seemed to have been built on very level ground, like the floor of a television studio. The fact that this artificiality was half accepted, half denied, told you that you were not in Verona at all, but in that semi-abstract, semi-concrete, wholly uninteresting city which is ...
The Nurse delivering her "Yet I cannot choose but laugh" line in Act I scene III in an 1847 drawing. The Nurse is sent by Juliet in act two, scene four to seek out Romeo the night after their first kiss and exchange of vows. The Nurse finds Romeo and soon after returns to Juliet with news of Romeo's continued affection.