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Guys and Dolls is a musical with music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows.It is based on "The Idyll of Miss Sarah Brown" (1933) and "Blood Pressure", which are two short stories by Damon Runyon, [1] [2] and also borrows characters and plot elements from other Runyon stories, such as "Pick the Winner".
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Guys and Dolls opened on November 3, 1955, at the Capitol Theatre in New York City [22] to mostly positive reviews. Rotten Tomatoes reports that 91% out of 33 critics have given the film a positive review, with a rating average of 7.7/10 and the consensus: "An escapist and inventive cinemascope delight, Guys and Dolls glistens thanks to the ...
"More I Cannot Wish You" is a song written and composed by Frank Loesser and first performed by Pat Rooney in 1950. [1] [2] The song was featured in the musical Guys and Dolls. The sentimental lyrics relate the feelings of the oldest character in the play, missionary Arvide Abernathy, [3] who sings it tenderly to his granddaughter, Sarah Brown. [4]
"Luck Be a Lady" is a song written and composed by Frank Loesser in 1950 and first performed by Robert Alda. The song was featured in the musical Guys and Dolls.The lyrics relate the point of view of a gambler, Sky Masterson, who hopes that he will win a bet, the outcome of which will decide whether or not he is able to save his relationship with the girl of his dreams.
Guys and Dolls is a 1950 stage musical. Guys and Dolls may also refer to: Guys and Dolls, a 1932 book of short stories by Damon Runyon, on some of whose tales the 1950 musical is based; Guys and Dolls, a 1955 adaptation of the musical "Guys and Dolls" (Married... with Children), an episode of the TV series Married... with Children; Guys 'n ...
In 2002, guitarist Chuck Loeb covered the song from his album, My Shining Hour. [7] Dinah Shore covered the tune on the 1963 Reprise Musical Repertory Theatre album of Guys and Dolls; Sarah Vaughan sang the song as a duet with Joe Williams, backed by the Count Basie Orchestra, on Count Basie/Sarah Vaughan.
The song was introduced in the Broadway musical Guys and Dolls, [1] which opened at the 46th Street Theater on November 24, 1950. It was performed on stage by Vivian Blaine and a women's chorus as a nightclub act at the Hot Box. It is the first of two nightclub performances in the musical.