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Deinterlacing is the process of converting interlaced video into a non-interlaced or progressive form. Interlaced video signals are commonly found in analog television, VHS, Laserdisc, digital television when in the 1080i format, some DVD titles, and a smaller number of Blu-ray discs.
Playing back interlaced video from a DVD, digital file or analog capture card on a computer display instead requires some form of deinterlacing in the player software and/or graphics hardware, which often uses very simple methods to deinterlace. This means that interlaced video often has visible artifacts on computer systems.
A line doubler is a device or algorithm used to deinterlace video signals prior to display on a progressive scan display. The main function of a deinterlacer is to take an interlaced video frame which consists of 60 two-field interlaced fields of an NTSC analogue video signal or 50 fields of a PAL signal, and create a progressive scan output ...
The "i" in 1080i stands for interlaced. This refers to how each video frame is displayed. Instead of showing the entire frame at once, the interlacing technique divides each frame into two separate fields. The first field contains all the odd-numbered lines (1, 3, 5, etc.), and the second field contains all the even-numbered lines (2, 4, 6, etc.).
Real interlaced video blurs such details to prevent twittering, but as seen in the pictures of the lower row, such softening (or anti-aliasing) comes at the cost of image clarity. A line doubler shown in the bottom right picture cannot restore the previously interlaced image in the center to the full quality of the progressive image shown in ...
The number of lines was odd because of 2:1 interlace. The 405 line system used a vertical frequency of 50 Hz (Standard AC mains supply frequency in Britain) and a horizontal one of 10,125 Hz (50 × 405 ÷ 2) 2 × 3 × 3 × 5 gives 90 lines (non interlaced) 2 × 2 × 2 × 2 × 2 × 3 gives 96 lines (non interlaced)
This was replaced by the Mark II Twin Lens, and then around 1975, by the Mark III Hopping Patch (jump scan). The Mark III series progressed from the original jump scan interlace scan to the Mark IIIB which used a progressive scan and included a digital scan converter (Digiscan) to output interlaced video. The Mark IIIC was the most popular of ...
The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.